A painting I did a few months ago for Fanartica! It was LOTR month, so this is Frodo. Of course Bilbo is in LOTR too, so it could be him. Really, whichever one is your favorite. OK it's Bilbo.

Viking

Been a while since I've posted anything! I've been going through a productive period in my sketchbook, and decided to flesh this one out a bit. The upsurge in sketching seems to have coincided with me starting George R. R. Martin's A Game of Thrones - not sure if it's directly related, but the descriptions in that book set off all kinds of visual fireworks in my head.

Ham Halen

Everybody's drawing pigs for Dueling Banjo Pigs! I was inspired by my buds Mike and Renee to do one of my own.

Rocky Road Cremation

I did this last month for the latest Dogs of Winter release... it's a cover of Rock n' Roll Creation for this Spinal Tap tribute album, and it's epic!

Beneath the Fold (Acoustic) Process

I'm back to break down another illustration, this time the album art for the acoustic version of Beneath the Fold, in step with the release of the track over at the Dogs of Winter site. It's phenomenal in my humble opinion - as well as free - so do your ears a solid and go grab it!

I wanted this image to be more airy and illustrative, a bit of a departure from the rest of the artwork since the song has quite a different tone than the rest of the album. Here goes:

Step 1:



This is the first thumbnail I came up with. I tried some other things (it's always good to explore your options) but, as often happens, the first thing that comes to mind has the most potential.

Step 2:



I decided to tilt the viewpoint and changed the man to a bird, in order to work in the bird from the artwork from the original version, but making the tone of the illustration match the spare, atmospheric feel of the acoustic version.

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Step 3:



The final tonal sketch.

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Step 4:



I've cleaned up the drawing and started to work on the texture of the background, overlaying different values with a splatter brush I made in Photoshop.

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Step 5:



Next I fill in the solid shapes of the trees and shadows, keeping in mind the values in my tonal sketch.

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Step 6:



I give the trees some texture with the splatter brush, then mask off areas and add lighter values for the highlights.

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Step 7:



Finally, I add a little more atmospheric light to push the background back, and give it the same yellow cast as the rest of the images.

So that's that... now move it along to Dogs of Winter dot com for your free song!

From Soil to Shale process

Dogs of Winter are releasing an acoustic version of Beneath the Fold from their latest album From Soil to Shale next week... it's beautiful and haunting, and you can download it free from their website! Ryan asked me to do a process post to go with the release, so here's how I came up with the cover.

Step 1:

At the beginning of the project, Ryan gave me the 9 tracks to use as a guideline, plus the title From Soil to Shale. I used the title and the imagery it suggests as a base, keeping it in mind as I listened to the songs over and over, jotting down ideas as they came into my head. I came up with a few dozen thumbnails, which I edited down and sent the ones I was happiest with to Ryan. This one was the most iconic, and seemed to work best as the cover:



I imagined the top and bottom as 2 separate images that the viewer's mind would connect. The top image is straightforward, a gnarled tree, but where the ground would be is a separate image of shattered shale, in which the crack doubles as a visual representation of the roots.

Step 2:



Loose tonal structure to see how the composition would work.

Step 3:



Here's a preliminary version of the final image. Tonally it's working, but the linework isn't there yet.

Step 4:



More detail added to the crack, the bottom is finished. For the top half I did the final tree drawing in pencil, scanned and overlayed it on a neutral background.

Step 5:



Shading added to the tree in Photoshop

Step 6:



Different values are layered in the background of the top image using a large spatter brush in Photoshop. I used this brush throughout the series as a unifying element.

Step 7:



In the final step, I added a slight yellowish cast to the image.

Odosketch

I was looking at Drawn! today and found this fun little flash-based web app, Odosketch. It has a limited pallette and brush sizes, but sometimes I need limits imposed on me to spark my creativity. It's also limited in a lot of the same ways traditional painting is... no undo, no zoom, and if you paint too much in one area with certain colors, you can't go in and paint over it anymore. That was frustrating, but worth noting for next time.

Here are two sketches I did, and to my surprise they both ended up in the 'Featured' section!

Here's the fun part... click the images to watch them drawn from scratch!